Examples of that are adjusting the digital look under different lighting situations, the compensation of exposure decisions, and the correction of different lenses’ color cast needs. * Only available in Livegrade Studio Image Analysis All the Tools Needed.Ĭolor grading on set needs to balance respect for the creative intent with technical requirements for maintaining visual consistency between shots and scenes. Livegrade writes 3D LUT formats for a range of typical products and exchanges comprehensive look information directly with its sibling product Silverstack Lab. ASC-CDL export allows for basic compatibility with virtually every color grading system, while more advanced formats such as AMF (ACES Metadata Format) or CFE (Colorfront Engine)* can transfer enriched pipeline information. Livegrade can export stored look metadata for a broad range of workflows. The looks created and adjusted on set are highly valuable directly for the camera work (e.g., when making lighting and exposure decisions “through” a look preview), but they enfold their benefits, especially when shared with others – for instance, for providing looks to dailies creation or VFX. Exporting Looks and Metadata Compatible With Every Workflow. That information can be used to look up camera settings of previously shot scenes, display reference images for consistency of cinematography, or communicate reports to colleagues on set and beyond. Livegrade can record media and collect metadata from a broad range of sources – from the cameras themselves via HD-SDI, through remote network connections, or manually edited by the operator.Īll this information is automatically stored in Livegrade’s shot library together with each look – creating a comprehensive shot log for the entire film project. Comprehensive Shot Library Your Automatic Camera Log. Livegrade offers a flexible color management platform with “grading modes” ranging from basic CDL-and-LUT workflows to dedicated ACES-based pipelines. Each slot independently features expressive primary grading controls (e.g., ASC-CDL based) for basic color adjustments, as well as additional secondary grading controls (e.g., “versus-curves”) for special situations. Livegrade offers multiple grading “slots” to allow independent grading of multiple cameras. On set, there is not much time for anything, so controls must be spot on, reduced to the necessary, and highly accessible. Interactive Color Grading Tailored to the Film Set.Ĭolor grading multiple camera live signals require dedicated concepts for the grading application. The visual and technical information generates objective and trusted insights about the connected cameras and their live images. Monitor live camera metadata embedded in the HD-Signal signal and store them in the shot library together with the preview image. Being consistent in different production settings or from lens-to-lens increases the overall quality of the footage. Maintain ConsistencyĬapturing and reviewing reference material and frame grabs from camera live images helps to ensure consistency across your project from scene to scene. Being closer to the desired final look already on set ensures that the footage looks precisely the way it was intended.
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